“A Chinese Ghost Story” as a Post Modern Artefact
This 6 page paper considers how and why the well known film “A Chinese Ghost Story” directed by Ching Siu-Tung, based on a novel by Songling Pu, can be seen as a post-modern artefact. The paper examines the film and its’ make up and how the post modernist models can apply to the movie. The bibliography cites 5 sources.
Filename: TEchigst.rtf
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