Leonardo DaVinci's 'Mona Lisa' and 'Vitruvian Man'
A 4 page paper that discusses the artistic principles DaVinci developed and applied to his paintings generally, in comparison with other artists of the period, and the application of these techniques to each of these two paintings. The paper discusses these in light of the Renaissance ideas of science and humanity and posits that perhaps the 'imperfections' in his paintings exhibit a larger experiment in these two areas of thought. Bibliography lists 7 sources.
Filename: Davinci2.doc
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